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Tag Archives: The American Prose Poem: Poetic Form and the Boundaries of Genre
A Look at Prose Poetry — An Introduction to the Prose Poem, edited by Brian Clements and Jamey Dunham
I was introduced to prose poetry several years ago by the wonderful prose poet, Jamey Dunham. I met him in a poetry class I took at Sinclair Community College in Dayton, Ohio. In 2008, Dunham won Salt Publishing, Ltd.’s prestigious … Continue reading
Posted in Books of poetry you should read, Poetry, Poets I Really Like, Prose Poetry, Uncategorized
Tagged 1978, 1990, Ambrose Bierce, Amy Newman, An Introduction to the Prose Poem, Andre Breton, Andrew Michael Roberts, Andrew Zawacki, Baudeliare, Brian Clements, Charles Simic, Cobwebs from an Empty Skull, David Lehman, Double Room, Eugene Jolas, Firewheel Editions, French Symbolists, From Poe to the Present, Gavin Selerie, George Rutledge and Sons, Great American Prose Poems, James E. Irby, Jamey Dunham, Janet Kaplan, Jorge Luis Borges, Jorie Graham, Kathleen Kirk, Manifesto of Surrealism, Margarito Cuellar, Mark Strand, Mark Tursi, Michel Deville, Paul Violi, Peter Connors, Prose Poem, Pulitzer Prize, Rachel Gavin, Rimbaud, Russell Edson, Salt Publishing, Sentence Literary Journal, The American Prose Poem: Poetic Form and the Boundaries of Genre, The Antioch Review, The Best American Poetry, The Monument, The World Doesn't End, Theo Hummer, Tom Andrews, Transition Journal, William Matthews
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